Journal

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15.04.26
Milan Desing Week 2026 : Must-See Installations Exhibitions,and Events

From April 20 to 26,Milan Design Week 2026 returns as a citywide as a citywide platform where design operates as both a cultural practice and a form of exploration.Framed by the Fuorisalone theme ” Be the Project” this year’s edition shifts the focus form outcome to process, positioning design as a dynamic, human – centered act shaped by intuitionresponsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.

This approach is reflected in the network of venues and districts that structure the event, where Milan itself becomes an active field of design. Institutional platforms such as Triennale Milano, Università degli Studi di Milano, and Politecnico di Milano, alongside iconic sites, including Torre Velasca, are reactivated through temporary exhibitions and interventions. At the urban scale, the 2026 edition expands toward peripheral areas through Alcova’s venues, the former Baggio Military Hospital and Villa Pestarini, introducing new spatial and historical layers into the Design Week geography. Across various venues including Brera, Tortona, Isola, and Porta Venezia, a dense constellation of courtyards, showrooms, and industrial infrastructures supports a program that spans scales and disciplines. Within this distributed framework, Milan Design Week aims to construct a continuous spatial narrative in which architecture, design, and the city operate as interconnected systems shaped through movement, perception, and collective participation.

Read more +less -
15.04.26
Milan Desing Week 2026 : Must-See Installations Exhibitions,and Events

From April 20 to 26,Milan Design Week 2026 returns as a citywide as a citywide platform where design operates as both a cultural practice and a form of exploration.Framed by the Fuorisalone theme ” Be the Project” this year’s edition shifts the focus form outcome to process, positioning design as a dynamic, human – centered act shaped by intuitionresponsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.

This approach is reflected in the network of venues and districts that structure the event, where Milan itself becomes an active field of design. Institutional platforms such as Triennale Milano, Università degli Studi di Milano, and Politecnico di Milano, alongside iconic sites, including Torre Velasca, are reactivated through temporary exhibitions and interventions. At the urban scale, the 2026 edition expands toward peripheral areas through Alcova’s venues, the former Baggio Military Hospital and Villa Pestarini, introducing new spatial and historical layers into the Design Week geography. Across various venues including Brera, Tortona, Isola, and Porta Venezia, a dense constellation of courtyards, showrooms, and industrial infrastructures supports a program that spans scales and disciplines. Within this distributed framework, Milan Design Week aims to construct a continuous spatial narrative in which architecture, design, and the city operate as interconnected systems shaped through movement, perception, and collective participation.

Read more +less -
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18.02.26
The Afterlife of Expo Osaka’s Grand Ring: How the Timber Structure Is Being Reused Across Japan

Exhibitions can be an opportunity to extend architectural discourse beyond professional circles, opening conversations with broader publics and serving as an interface between architecture and society. Within this concept, major international events such as the Osaka International Expo 2025 and the Venice Architecture Biennale have adopted the idea of the circular economy as one of their organizational objectives. The idea of circularity in events can be reflected in, for example, their energy consumption, the impact of the displacement they generate, their waste, or the useful life of their infrastructure. The site destined for the last World Expo, held in Osaka from 13 April to 13 October 2025, was surrounded by a massive timber structure designed by Sou Fujimoto Architects, one of the world’s largest wooden constructions. The Japan Association for the 2025 World Exposition committed to reusing building materials “as much as possible,” with concrete plans for their reuse to be finalized by March. In the meantime, some relocation alternatives are already emerging for the pieces of the World Expo structure.

The Osaka Grand Ring was designed to embody the Expo’s theme, “Designing Future Society for Our Lives,” and symbolize the philosophy of “Diversity in Unity.” Sou FujimotoArchitects’ design served as the main access route for visitors, a sheltered space, an elevated Skywalk offering views of the entire Expo site, and a landscaped rooftop. The massive timber structure covered a horizontal projected area of approximately 60,000 square meters. With an inner diameter of 615 meters and an outer diameter of 675 meters, the Ring was 30 meters wide and stood 12 meters tall, rising to 20 meters at its highest point. It was designed with a focus on material efficiency, selecting wood for its renewable properties and carbon-storing capacity, contributing to the project’s goal of minimizing its overall carbon footprint.

Read more +less -
18.02.26
The Afterlife of Expo Osaka’s Grand Ring: How the Timber Structure Is Being Reused Across Japan

Exhibitions can be an opportunity to extend architectural discourse beyond professional circles, opening conversations with broader publics and serving as an interface between architecture and society. Within this concept, major international events such as the Osaka International Expo 2025 and the Venice Architecture Biennale have adopted the idea of the circular economy as one of their organizational objectives. The idea of circularity in events can be reflected in, for example, their energy consumption, the impact of the displacement they generate, their waste, or the useful life of their infrastructure. The site destined for the last World Expo, held in Osaka from 13 April to 13 October 2025, was surrounded by a massive timber structure designed by Sou Fujimoto Architects, one of the world’s largest wooden constructions. The Japan Association for the 2025 World Exposition committed to reusing building materials “as much as possible,” with concrete plans for their reuse to be finalized by March. In the meantime, some relocation alternatives are already emerging for the pieces of the World Expo structure.

The Osaka Grand Ring was designed to embody the Expo’s theme, “Designing Future Society for Our Lives,” and symbolize the philosophy of “Diversity in Unity.” Sou FujimotoArchitects’ design served as the main access route for visitors, a sheltered space, an elevated Skywalk offering views of the entire Expo site, and a landscaped rooftop. The massive timber structure covered a horizontal projected area of approximately 60,000 square meters. With an inner diameter of 615 meters and an outer diameter of 675 meters, the Ring was 30 meters wide and stood 12 meters tall, rising to 20 meters at its highest point. It was designed with a focus on material efficiency, selecting wood for its renewable properties and carbon-storing capacity, contributing to the project’s goal of minimizing its overall carbon footprint.

Read more +less -
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15.01.26
14 Global Stadium Projects and Surrounding Urban Masterplans Currently in Progress

During 2025, several sports infrasture projects were announced that remain on our radar most of which are scheduled for completion between 2028 and 2030.Located across Asia, Europe,Africa, the Middle East and North America these projects reflect contemporary masterplan strategies for the transformation of large sports venues within their urban contexts. Many of the stadiums are planned as part of broader redevelopment frameworks that include new public spaces, mixed-use programs, event facilities, and mobility upgrades, rather than as isolated structures. Designs led by international offices such as Populous, Foster + Partners, Heatherwick Studio, OMA, Gensler, AFL Architects, and VUILD illustrate a range of architectural, urban, and infrastructural responses to the evolving role of large sports facilities.

Several of the projects also incorporate material choices and operational strategies intended to address environmental performance and resource efficiency. These include the use of timber and locally sourced materials, all-electric systems, adaptable or demountable construction methods, and the reuse or refurbishment of existing stadium infrastructure. Across different geographic and climatic contexts, these approaches reflect a growing attention to reducing material use, extending the life cycle of large structures, and improving the functioning of energy-intensive venues.

Below is a list of 14 major stadium projects and associated master plans currently under development.

Read more +less -
15.01.26
14 Global Stadium Projects and Surrounding Urban Masterplans Currently in Progress

During 2025, several sports infrasture projects were announced that remain on our radar most of which are scheduled for completion between 2028 and 2030.Located across Asia, Europe,Africa, the Middle East and North America these projects reflect contemporary masterplan strategies for the transformation of large sports venues within their urban contexts. Many of the stadiums are planned as part of broader redevelopment frameworks that include new public spaces, mixed-use programs, event facilities, and mobility upgrades, rather than as isolated structures. Designs led by international offices such as Populous, Foster + Partners, Heatherwick Studio, OMA, Gensler, AFL Architects, and VUILD illustrate a range of architectural, urban, and infrastructural responses to the evolving role of large sports facilities.

Several of the projects also incorporate material choices and operational strategies intended to address environmental performance and resource efficiency. These include the use of timber and locally sourced materials, all-electric systems, adaptable or demountable construction methods, and the reuse or refurbishment of existing stadium infrastructure. Across different geographic and climatic contexts, these approaches reflect a growing attention to reducing material use, extending the life cycle of large structures, and improving the functioning of energy-intensive venues.

Below is a list of 14 major stadium projects and associated master plans currently under development.

Read more +less -
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22.12.25
Architects of the Global South: 10 Pavilions and Installations That Shaped 2025

n a global landscape marked by accelerated change, 2025 emerged as a decisive year for architecture—not only because of the major events that animated the international circuit, but above all because of the voices that stood out within them. From the Venice Architecture Biennale to Expo Osaka, pavilions and installations from the Global South ceased to function as mere exhibition gestures and instead asserted themselves as territories of memory, resistance, and imagination, articulating narratives that expand the horizons of contemporary architectural debate.Across these works, tradition and future move side by side: ancestral materials reappear in reimagined forms, historical wounds are given sensitive expression, and social urgency is translated into proposals that challenge established ways of building and inhabiting the world.

In this selection, we revisit projects that shaped the year and helped redraw the international architectural landscape. They include not only national pavilions that officially represent their countries, but also works conceived by architects from the Global South—such as this year’s Serpentine Pavilion, designed by Bangladeshi architect Marina Tabassum, whose practice sensitively incorporates the culture and imagination of her people

Read more +less -
22.12.25
Architects of the Global South: 10 Pavilions and Installations That Shaped 2025

n a global landscape marked by accelerated change, 2025 emerged as a decisive year for architecture—not only because of the major events that animated the international circuit, but above all because of the voices that stood out within them. From the Venice Architecture Biennale to Expo Osaka, pavilions and installations from the Global South ceased to function as mere exhibition gestures and instead asserted themselves as territories of memory, resistance, and imagination, articulating narratives that expand the horizons of contemporary architectural debate.Across these works, tradition and future move side by side: ancestral materials reappear in reimagined forms, historical wounds are given sensitive expression, and social urgency is translated into proposals that challenge established ways of building and inhabiting the world.

In this selection, we revisit projects that shaped the year and helped redraw the international architectural landscape. They include not only national pavilions that officially represent their countries, but also works conceived by architects from the Global South—such as this year’s Serpentine Pavilion, designed by Bangladeshi architect Marina Tabassum, whose practice sensitively incorporates the culture and imagination of her people

Read more +less -
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12.12.25
Pantone Selects Soft White “Cloud Dancer” as the Color of the Year 2026

Pantone Color Institute has introduced PANTONE 11-4201 Cloud Dancer as the Color of the Year 2026, a soft white selected for its understated presence and sense of visual calm. The hue, described as balanced and airy, appears against a broader cultural context in which designers and creatives are reassessing the role of clarity, simplicity, and spatial quietude. Framed as a color that resembles a blank canvas, Cloud Dancer signals a renewed interest in environments that support reflection and measured creativity rather than constant acceleration.In announcing the selection, the Pantone Color Institute highlights the growing desire to step back from overstimulation and to create conditions that encourage focus. Cloud Dancer is presented as a hue that softens visual noise, allowing for moments of pause within both physical and digital landscapes. Its neutral quality aligns with current conversations around designing spaces, architectural, interior, or graphic, that accommodate shifting expectations around rest, attentiveness, and mental well-being.

To accompany the 2026 edition, Pantone is launching a creative initiative inviting artists from various fields to interpret the color through new works. The program aims to explore the many ways Cloud Dancer can be translated across disciplines, from graphics and illustration to fashion and object design. The first collaboration features illustrator and visual artist Emiliano Ponzi, who has produced a limited-edition tote bag that incorporates the color through his conceptual visual language. Additional artist commissions are expected to follow, reflecting the diverse ways the hue may be taken up across design fields

Read more +less -
12.12.25
Pantone Selects Soft White “Cloud Dancer” as the Color of the Year 2026

Pantone Color Institute has introduced PANTONE 11-4201 Cloud Dancer as the Color of the Year 2026, a soft white selected for its understated presence and sense of visual calm. The hue, described as balanced and airy, appears against a broader cultural context in which designers and creatives are reassessing the role of clarity, simplicity, and spatial quietude. Framed as a color that resembles a blank canvas, Cloud Dancer signals a renewed interest in environments that support reflection and measured creativity rather than constant acceleration.In announcing the selection, the Pantone Color Institute highlights the growing desire to step back from overstimulation and to create conditions that encourage focus. Cloud Dancer is presented as a hue that softens visual noise, allowing for moments of pause within both physical and digital landscapes. Its neutral quality aligns with current conversations around designing spaces, architectural, interior, or graphic, that accommodate shifting expectations around rest, attentiveness, and mental well-being.

To accompany the 2026 edition, Pantone is launching a creative initiative inviting artists from various fields to interpret the color through new works. The program aims to explore the many ways Cloud Dancer can be translated across disciplines, from graphics and illustration to fashion and object design. The first collaboration features illustrator and visual artist Emiliano Ponzi, who has produced a limited-edition tote bag that incorporates the color through his conceptual visual language. Additional artist commissions are expected to follow, reflecting the diverse ways the hue may be taken up across design fields

Read more +less -
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05.12.25
Urban Regeneration in Greece : The Ellinikon Master Plan and Beyond

Greece‘s built environment is shaped by the coexistence of multiple architectural layers, where historic structures, modern interventions, and evolving urban systems intersect. Classical landmarks and their surrounding urban fabrics continue to inform the spatial character of cities, while postwar developments, infrastructural upgrades, and contemporary projects add new dimensions to the country’s architectural landscape. This continuity between past and present provides the foundation for current design approaches, which increasingly focus on balancing heritage, environmentalconsiderations, and contemporary urban needs.In Athens, ongoing development activity is reshaping the metropolitan area through the introduction of new coastal districts, expanded green spaces, and mixed-use neighborhoods. The Ellinikon master plan, situated on the grounds of the former international airport, stands out as one of the most significant initiatives. Envisioned as a large-scale urban extension, the project incorporates residential areas, office and commercial zones, cultural venues, and what is planned to become Europe‘s largest coastal park. Its design framework emphasizes connectivity, climate-responsive strategies, and the integration of public space within new urban districts, reflecting broader shifts in how the city approaches long-term planning and coastal redevelopment.

 

 

 

Comparable developments are taking place in Thessaloniki, Piraeus, and other regions, where new academic buildings, cultural institutions, sports facilities, and workplace environments are contributing to a more diversified architectural landscape. These projects often engage with existing industrial sites or emerging districts, incorporating adaptive reuse, public-realm improvements, and ecological considerations. They illustrate ongoing changes in Greece‘s architectural and urban development, shaped by updated planning priorities and a growing interest in integrating social, environmental, and infrastructural objectives within contemporary design

Read more +less -
05.12.25
Urban Regeneration in Greece : The Ellinikon Master Plan and Beyond

Greece‘s built environment is shaped by the coexistence of multiple architectural layers, where historic structures, modern interventions, and evolving urban systems intersect. Classical landmarks and their surrounding urban fabrics continue to inform the spatial character of cities, while postwar developments, infrastructural upgrades, and contemporary projects add new dimensions to the country’s architectural landscape. This continuity between past and present provides the foundation for current design approaches, which increasingly focus on balancing heritage, environmentalconsiderations, and contemporary urban needs.In Athens, ongoing development activity is reshaping the metropolitan area through the introduction of new coastal districts, expanded green spaces, and mixed-use neighborhoods. The Ellinikon master plan, situated on the grounds of the former international airport, stands out as one of the most significant initiatives. Envisioned as a large-scale urban extension, the project incorporates residential areas, office and commercial zones, cultural venues, and what is planned to become Europe‘s largest coastal park. Its design framework emphasizes connectivity, climate-responsive strategies, and the integration of public space within new urban districts, reflecting broader shifts in how the city approaches long-term planning and coastal redevelopment.

 

 

 

Comparable developments are taking place in Thessaloniki, Piraeus, and other regions, where new academic buildings, cultural institutions, sports facilities, and workplace environments are contributing to a more diversified architectural landscape. These projects often engage with existing industrial sites or emerging districts, incorporating adaptive reuse, public-realm improvements, and ecological considerations. They illustrate ongoing changes in Greece‘s architectural and urban development, shaped by updated planning priorities and a growing interest in integrating social, environmental, and infrastructural objectives within contemporary design

Read more +less -
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24.11.25
The Role of Responsible AI in Transforming Architectural Practices and Design

The conversation around AI in architecture has shifted from hype to application.Architects and designers now want to understand how the intelligent use of AI –  powered tools can drive innovation and create a competitive advantage. Yet, as curiosity and optimism grow, firms also face concerns about the ethical and legal questions surrounding AI adoption.In the coming years, the role of AI in architecture is expected to evolve – transforming the industry , reshaping workflows and fundamentally changing the practice of design. As the future unfolds, human insight and creativity will increasingly be complemented by machine efficiency . AI will take on repetitive, data- heavy tasks, allowing architects to focus on conceptual thinking , client engagement ,and design storytelling.Howeveer , as AI becomes an increasingly trusted creative company  companion the industry must confront the challengers that come with it.

Nearly 30% of architects surveyed for The State of AI in Architecture report expressed concerns about the use of AI in their profession. While 75% believe AI has the power to meaningfully drive innovation, nearly 80% also agree that the industry needs clear ethical guidelines and regulations to ensure these tools don’t place architects in difficult ethical or legal situations. At the forefront of the conversation around AI in architecture is a pressing concern: intellectual property. When AI tools are trained on copyrighted materials, or when their outputs unintentionally resemble another architect’s work, questions of authorship and originality arise. Without transparency into how training data is sourced, it becomes difficult to ensure that what’s created is truly one’s own. Likewise, bias in AI systems can privilege Western design norms, often overlooking local aesthetics and the cultural or functional nuances that make architecture meaningful across regions.

Read more +less -
24.11.25
The Role of Responsible AI in Transforming Architectural Practices and Design

The conversation around AI in architecture has shifted from hype to application.Architects and designers now want to understand how the intelligent use of AI –  powered tools can drive innovation and create a competitive advantage. Yet, as curiosity and optimism grow, firms also face concerns about the ethical and legal questions surrounding AI adoption.In the coming years, the role of AI in architecture is expected to evolve – transforming the industry , reshaping workflows and fundamentally changing the practice of design. As the future unfolds, human insight and creativity will increasingly be complemented by machine efficiency . AI will take on repetitive, data- heavy tasks, allowing architects to focus on conceptual thinking , client engagement ,and design storytelling.Howeveer , as AI becomes an increasingly trusted creative company  companion the industry must confront the challengers that come with it.

Nearly 30% of architects surveyed for The State of AI in Architecture report expressed concerns about the use of AI in their profession. While 75% believe AI has the power to meaningfully drive innovation, nearly 80% also agree that the industry needs clear ethical guidelines and regulations to ensure these tools don’t place architects in difficult ethical or legal situations. At the forefront of the conversation around AI in architecture is a pressing concern: intellectual property. When AI tools are trained on copyrighted materials, or when their outputs unintentionally resemble another architect’s work, questions of authorship and originality arise. Without transparency into how training data is sourced, it becomes difficult to ensure that what’s created is truly one’s own. Likewise, bias in AI systems can privilege Western design norms, often overlooking local aesthetics and the cultural or functional nuances that make architecture meaningful across regions.

Read more +less -
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15.04.26
Milan Desing Week 2026 : Must-See Installations Exhibitions,and Events

From April 20 to 26,Milan Design Week 2026 returns as a citywide as a citywide platform where design operates as both a cultural practice and a form of exploration.Framed by the Fuorisalone theme ” Be the Project” this year’s edition shifts the focus form outcome to process, positioning design as a dynamic, human – centered act shaped by intuitionresponsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.

This approach is reflected in the network of venues and districts that structure the event, where Milan itself becomes an active field of design. Institutional platforms such as Triennale Milano, Università degli Studi di Milano, and Politecnico di Milano, alongside iconic sites, including Torre Velasca, are reactivated through temporary exhibitions and interventions. At the urban scale, the 2026 edition expands toward peripheral areas through Alcova’s venues, the former Baggio Military Hospital and Villa Pestarini, introducing new spatial and historical layers into the Design Week geography. Across various venues including Brera, Tortona, Isola, and Porta Venezia, a dense constellation of courtyards, showrooms, and industrial infrastructures supports a program that spans scales and disciplines. Within this distributed framework, Milan Design Week aims to construct a continuous spatial narrative in which architecture, design, and the city operate as interconnected systems shaped through movement, perception, and collective participation.

Read more +less -
15.04.26
Milan Desing Week 2026 : Must-See Installations Exhibitions,and Events

From April 20 to 26,Milan Design Week 2026 returns as a citywide as a citywide platform where design operates as both a cultural practice and a form of exploration.Framed by the Fuorisalone theme ” Be the Project” this year’s edition shifts the focus form outcome to process, positioning design as a dynamic, human – centered act shaped by intuitionresponsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.

This approach is reflected in the network of venues and districts that structure the event, where Milan itself becomes an active field of design. Institutional platforms such as Triennale Milano, Università degli Studi di Milano, and Politecnico di Milano, alongside iconic sites, including Torre Velasca, are reactivated through temporary exhibitions and interventions. At the urban scale, the 2026 edition expands toward peripheral areas through Alcova’s venues, the former Baggio Military Hospital and Villa Pestarini, introducing new spatial and historical layers into the Design Week geography. Across various venues including Brera, Tortona, Isola, and Porta Venezia, a dense constellation of courtyards, showrooms, and industrial infrastructures supports a program that spans scales and disciplines. Within this distributed framework, Milan Design Week aims to construct a continuous spatial narrative in which architecture, design, and the city operate as interconnected systems shaped through movement, perception, and collective participation.

Read more +less -
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18.02.26
The Afterlife of Expo Osaka’s Grand Ring: How the Timber Structure Is Being Reused Across Japan

Exhibitions can be an opportunity to extend architectural discourse beyond professional circles, opening conversations with broader publics and serving as an interface between architecture and society. Within this concept, major international events such as the Osaka International Expo 2025 and the Venice Architecture Biennale have adopted the idea of the circular economy as one of their organizational objectives. The idea of circularity in events can be reflected in, for example, their energy consumption, the impact of the displacement they generate, their waste, or the useful life of their infrastructure. The site destined for the last World Expo, held in Osaka from 13 April to 13 October 2025, was surrounded by a massive timber structure designed by Sou Fujimoto Architects, one of the world’s largest wooden constructions. The Japan Association for the 2025 World Exposition committed to reusing building materials “as much as possible,” with concrete plans for their reuse to be finalized by March. In the meantime, some relocation alternatives are already emerging for the pieces of the World Expo structure.

The Osaka Grand Ring was designed to embody the Expo’s theme, “Designing Future Society for Our Lives,” and symbolize the philosophy of “Diversity in Unity.” Sou FujimotoArchitects’ design served as the main access route for visitors, a sheltered space, an elevated Skywalk offering views of the entire Expo site, and a landscaped rooftop. The massive timber structure covered a horizontal projected area of approximately 60,000 square meters. With an inner diameter of 615 meters and an outer diameter of 675 meters, the Ring was 30 meters wide and stood 12 meters tall, rising to 20 meters at its highest point. It was designed with a focus on material efficiency, selecting wood for its renewable properties and carbon-storing capacity, contributing to the project’s goal of minimizing its overall carbon footprint.

Read more +less -
18.02.26
The Afterlife of Expo Osaka’s Grand Ring: How the Timber Structure Is Being Reused Across Japan

Exhibitions can be an opportunity to extend architectural discourse beyond professional circles, opening conversations with broader publics and serving as an interface between architecture and society. Within this concept, major international events such as the Osaka International Expo 2025 and the Venice Architecture Biennale have adopted the idea of the circular economy as one of their organizational objectives. The idea of circularity in events can be reflected in, for example, their energy consumption, the impact of the displacement they generate, their waste, or the useful life of their infrastructure. The site destined for the last World Expo, held in Osaka from 13 April to 13 October 2025, was surrounded by a massive timber structure designed by Sou Fujimoto Architects, one of the world’s largest wooden constructions. The Japan Association for the 2025 World Exposition committed to reusing building materials “as much as possible,” with concrete plans for their reuse to be finalized by March. In the meantime, some relocation alternatives are already emerging for the pieces of the World Expo structure.

The Osaka Grand Ring was designed to embody the Expo’s theme, “Designing Future Society for Our Lives,” and symbolize the philosophy of “Diversity in Unity.” Sou FujimotoArchitects’ design served as the main access route for visitors, a sheltered space, an elevated Skywalk offering views of the entire Expo site, and a landscaped rooftop. The massive timber structure covered a horizontal projected area of approximately 60,000 square meters. With an inner diameter of 615 meters and an outer diameter of 675 meters, the Ring was 30 meters wide and stood 12 meters tall, rising to 20 meters at its highest point. It was designed with a focus on material efficiency, selecting wood for its renewable properties and carbon-storing capacity, contributing to the project’s goal of minimizing its overall carbon footprint.

Read more +less -
image
15.01.26
14 Global Stadium Projects and Surrounding Urban Masterplans Currently in Progress

During 2025, several sports infrasture projects were announced that remain on our radar most of which are scheduled for completion between 2028 and 2030.Located across Asia, Europe,Africa, the Middle East and North America these projects reflect contemporary masterplan strategies for the transformation of large sports venues within their urban contexts. Many of the stadiums are planned as part of broader redevelopment frameworks that include new public spaces, mixed-use programs, event facilities, and mobility upgrades, rather than as isolated structures. Designs led by international offices such as Populous, Foster + Partners, Heatherwick Studio, OMA, Gensler, AFL Architects, and VUILD illustrate a range of architectural, urban, and infrastructural responses to the evolving role of large sports facilities.

Several of the projects also incorporate material choices and operational strategies intended to address environmental performance and resource efficiency. These include the use of timber and locally sourced materials, all-electric systems, adaptable or demountable construction methods, and the reuse or refurbishment of existing stadium infrastructure. Across different geographic and climatic contexts, these approaches reflect a growing attention to reducing material use, extending the life cycle of large structures, and improving the functioning of energy-intensive venues.

Below is a list of 14 major stadium projects and associated master plans currently under development.

Read more +less -
15.01.26
14 Global Stadium Projects and Surrounding Urban Masterplans Currently in Progress

During 2025, several sports infrasture projects were announced that remain on our radar most of which are scheduled for completion between 2028 and 2030.Located across Asia, Europe,Africa, the Middle East and North America these projects reflect contemporary masterplan strategies for the transformation of large sports venues within their urban contexts. Many of the stadiums are planned as part of broader redevelopment frameworks that include new public spaces, mixed-use programs, event facilities, and mobility upgrades, rather than as isolated structures. Designs led by international offices such as Populous, Foster + Partners, Heatherwick Studio, OMA, Gensler, AFL Architects, and VUILD illustrate a range of architectural, urban, and infrastructural responses to the evolving role of large sports facilities.

Several of the projects also incorporate material choices and operational strategies intended to address environmental performance and resource efficiency. These include the use of timber and locally sourced materials, all-electric systems, adaptable or demountable construction methods, and the reuse or refurbishment of existing stadium infrastructure. Across different geographic and climatic contexts, these approaches reflect a growing attention to reducing material use, extending the life cycle of large structures, and improving the functioning of energy-intensive venues.

Below is a list of 14 major stadium projects and associated master plans currently under development.

Read more +less -
image
22.12.25
Architects of the Global South: 10 Pavilions and Installations That Shaped 2025

n a global landscape marked by accelerated change, 2025 emerged as a decisive year for architecture—not only because of the major events that animated the international circuit, but above all because of the voices that stood out within them. From the Venice Architecture Biennale to Expo Osaka, pavilions and installations from the Global South ceased to function as mere exhibition gestures and instead asserted themselves as territories of memory, resistance, and imagination, articulating narratives that expand the horizons of contemporary architectural debate.Across these works, tradition and future move side by side: ancestral materials reappear in reimagined forms, historical wounds are given sensitive expression, and social urgency is translated into proposals that challenge established ways of building and inhabiting the world.

In this selection, we revisit projects that shaped the year and helped redraw the international architectural landscape. They include not only national pavilions that officially represent their countries, but also works conceived by architects from the Global South—such as this year’s Serpentine Pavilion, designed by Bangladeshi architect Marina Tabassum, whose practice sensitively incorporates the culture and imagination of her people

Read more +less -
22.12.25
Architects of the Global South: 10 Pavilions and Installations That Shaped 2025

n a global landscape marked by accelerated change, 2025 emerged as a decisive year for architecture—not only because of the major events that animated the international circuit, but above all because of the voices that stood out within them. From the Venice Architecture Biennale to Expo Osaka, pavilions and installations from the Global South ceased to function as mere exhibition gestures and instead asserted themselves as territories of memory, resistance, and imagination, articulating narratives that expand the horizons of contemporary architectural debate.Across these works, tradition and future move side by side: ancestral materials reappear in reimagined forms, historical wounds are given sensitive expression, and social urgency is translated into proposals that challenge established ways of building and inhabiting the world.

In this selection, we revisit projects that shaped the year and helped redraw the international architectural landscape. They include not only national pavilions that officially represent their countries, but also works conceived by architects from the Global South—such as this year’s Serpentine Pavilion, designed by Bangladeshi architect Marina Tabassum, whose practice sensitively incorporates the culture and imagination of her people

Read more +less -
image
12.12.25
Pantone Selects Soft White “Cloud Dancer” as the Color of the Year 2026

Pantone Color Institute has introduced PANTONE 11-4201 Cloud Dancer as the Color of the Year 2026, a soft white selected for its understated presence and sense of visual calm. The hue, described as balanced and airy, appears against a broader cultural context in which designers and creatives are reassessing the role of clarity, simplicity, and spatial quietude. Framed as a color that resembles a blank canvas, Cloud Dancer signals a renewed interest in environments that support reflection and measured creativity rather than constant acceleration.In announcing the selection, the Pantone Color Institute highlights the growing desire to step back from overstimulation and to create conditions that encourage focus. Cloud Dancer is presented as a hue that softens visual noise, allowing for moments of pause within both physical and digital landscapes. Its neutral quality aligns with current conversations around designing spaces, architectural, interior, or graphic, that accommodate shifting expectations around rest, attentiveness, and mental well-being.

To accompany the 2026 edition, Pantone is launching a creative initiative inviting artists from various fields to interpret the color through new works. The program aims to explore the many ways Cloud Dancer can be translated across disciplines, from graphics and illustration to fashion and object design. The first collaboration features illustrator and visual artist Emiliano Ponzi, who has produced a limited-edition tote bag that incorporates the color through his conceptual visual language. Additional artist commissions are expected to follow, reflecting the diverse ways the hue may be taken up across design fields

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12.12.25
Pantone Selects Soft White “Cloud Dancer” as the Color of the Year 2026

Pantone Color Institute has introduced PANTONE 11-4201 Cloud Dancer as the Color of the Year 2026, a soft white selected for its understated presence and sense of visual calm. The hue, described as balanced and airy, appears against a broader cultural context in which designers and creatives are reassessing the role of clarity, simplicity, and spatial quietude. Framed as a color that resembles a blank canvas, Cloud Dancer signals a renewed interest in environments that support reflection and measured creativity rather than constant acceleration.In announcing the selection, the Pantone Color Institute highlights the growing desire to step back from overstimulation and to create conditions that encourage focus. Cloud Dancer is presented as a hue that softens visual noise, allowing for moments of pause within both physical and digital landscapes. Its neutral quality aligns with current conversations around designing spaces, architectural, interior, or graphic, that accommodate shifting expectations around rest, attentiveness, and mental well-being.

To accompany the 2026 edition, Pantone is launching a creative initiative inviting artists from various fields to interpret the color through new works. The program aims to explore the many ways Cloud Dancer can be translated across disciplines, from graphics and illustration to fashion and object design. The first collaboration features illustrator and visual artist Emiliano Ponzi, who has produced a limited-edition tote bag that incorporates the color through his conceptual visual language. Additional artist commissions are expected to follow, reflecting the diverse ways the hue may be taken up across design fields

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05.12.25
Urban Regeneration in Greece : The Ellinikon Master Plan and Beyond

Greece‘s built environment is shaped by the coexistence of multiple architectural layers, where historic structures, modern interventions, and evolving urban systems intersect. Classical landmarks and their surrounding urban fabrics continue to inform the spatial character of cities, while postwar developments, infrastructural upgrades, and contemporary projects add new dimensions to the country’s architectural landscape. This continuity between past and present provides the foundation for current design approaches, which increasingly focus on balancing heritage, environmentalconsiderations, and contemporary urban needs.In Athens, ongoing development activity is reshaping the metropolitan area through the introduction of new coastal districts, expanded green spaces, and mixed-use neighborhoods. The Ellinikon master plan, situated on the grounds of the former international airport, stands out as one of the most significant initiatives. Envisioned as a large-scale urban extension, the project incorporates residential areas, office and commercial zones, cultural venues, and what is planned to become Europe‘s largest coastal park. Its design framework emphasizes connectivity, climate-responsive strategies, and the integration of public space within new urban districts, reflecting broader shifts in how the city approaches long-term planning and coastal redevelopment.

 

 

 

Comparable developments are taking place in Thessaloniki, Piraeus, and other regions, where new academic buildings, cultural institutions, sports facilities, and workplace environments are contributing to a more diversified architectural landscape. These projects often engage with existing industrial sites or emerging districts, incorporating adaptive reuse, public-realm improvements, and ecological considerations. They illustrate ongoing changes in Greece‘s architectural and urban development, shaped by updated planning priorities and a growing interest in integrating social, environmental, and infrastructural objectives within contemporary design

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05.12.25
Urban Regeneration in Greece : The Ellinikon Master Plan and Beyond

Greece‘s built environment is shaped by the coexistence of multiple architectural layers, where historic structures, modern interventions, and evolving urban systems intersect. Classical landmarks and their surrounding urban fabrics continue to inform the spatial character of cities, while postwar developments, infrastructural upgrades, and contemporary projects add new dimensions to the country’s architectural landscape. This continuity between past and present provides the foundation for current design approaches, which increasingly focus on balancing heritage, environmentalconsiderations, and contemporary urban needs.In Athens, ongoing development activity is reshaping the metropolitan area through the introduction of new coastal districts, expanded green spaces, and mixed-use neighborhoods. The Ellinikon master plan, situated on the grounds of the former international airport, stands out as one of the most significant initiatives. Envisioned as a large-scale urban extension, the project incorporates residential areas, office and commercial zones, cultural venues, and what is planned to become Europe‘s largest coastal park. Its design framework emphasizes connectivity, climate-responsive strategies, and the integration of public space within new urban districts, reflecting broader shifts in how the city approaches long-term planning and coastal redevelopment.

 

 

 

Comparable developments are taking place in Thessaloniki, Piraeus, and other regions, where new academic buildings, cultural institutions, sports facilities, and workplace environments are contributing to a more diversified architectural landscape. These projects often engage with existing industrial sites or emerging districts, incorporating adaptive reuse, public-realm improvements, and ecological considerations. They illustrate ongoing changes in Greece‘s architectural and urban development, shaped by updated planning priorities and a growing interest in integrating social, environmental, and infrastructural objectives within contemporary design

Read more +less -
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24.11.25
The Role of Responsible AI in Transforming Architectural Practices and Design

The conversation around AI in architecture has shifted from hype to application.Architects and designers now want to understand how the intelligent use of AI –  powered tools can drive innovation and create a competitive advantage. Yet, as curiosity and optimism grow, firms also face concerns about the ethical and legal questions surrounding AI adoption.In the coming years, the role of AI in architecture is expected to evolve – transforming the industry , reshaping workflows and fundamentally changing the practice of design. As the future unfolds, human insight and creativity will increasingly be complemented by machine efficiency . AI will take on repetitive, data- heavy tasks, allowing architects to focus on conceptual thinking , client engagement ,and design storytelling.Howeveer , as AI becomes an increasingly trusted creative company  companion the industry must confront the challengers that come with it.

Nearly 30% of architects surveyed for The State of AI in Architecture report expressed concerns about the use of AI in their profession. While 75% believe AI has the power to meaningfully drive innovation, nearly 80% also agree that the industry needs clear ethical guidelines and regulations to ensure these tools don’t place architects in difficult ethical or legal situations. At the forefront of the conversation around AI in architecture is a pressing concern: intellectual property. When AI tools are trained on copyrighted materials, or when their outputs unintentionally resemble another architect’s work, questions of authorship and originality arise. Without transparency into how training data is sourced, it becomes difficult to ensure that what’s created is truly one’s own. Likewise, bias in AI systems can privilege Western design norms, often overlooking local aesthetics and the cultural or functional nuances that make architecture meaningful across regions.

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24.11.25
The Role of Responsible AI in Transforming Architectural Practices and Design

The conversation around AI in architecture has shifted from hype to application.Architects and designers now want to understand how the intelligent use of AI –  powered tools can drive innovation and create a competitive advantage. Yet, as curiosity and optimism grow, firms also face concerns about the ethical and legal questions surrounding AI adoption.In the coming years, the role of AI in architecture is expected to evolve – transforming the industry , reshaping workflows and fundamentally changing the practice of design. As the future unfolds, human insight and creativity will increasingly be complemented by machine efficiency . AI will take on repetitive, data- heavy tasks, allowing architects to focus on conceptual thinking , client engagement ,and design storytelling.Howeveer , as AI becomes an increasingly trusted creative company  companion the industry must confront the challengers that come with it.

Nearly 30% of architects surveyed for The State of AI in Architecture report expressed concerns about the use of AI in their profession. While 75% believe AI has the power to meaningfully drive innovation, nearly 80% also agree that the industry needs clear ethical guidelines and regulations to ensure these tools don’t place architects in difficult ethical or legal situations. At the forefront of the conversation around AI in architecture is a pressing concern: intellectual property. When AI tools are trained on copyrighted materials, or when their outputs unintentionally resemble another architect’s work, questions of authorship and originality arise. Without transparency into how training data is sourced, it becomes difficult to ensure that what’s created is truly one’s own. Likewise, bias in AI systems can privilege Western design norms, often overlooking local aesthetics and the cultural or functional nuances that make architecture meaningful across regions.

Read more +less -